How’s that for alliteration? Anthropologie’s, not mine. I wear pearl studs every single day, so it’s rare that I even look at other options. But these beauties caught my eye, and at the very reasonable price point of $28, I might have to snag a pair. What do you think?
I am in love with the bow. It’s perfect. See more from this classic wedding, shot by Josh Goodman, here!
I’ve been a very busy bee prepping customized timelines for all important players in K + C’s wedding, including our photographer. This has started me thinking about portraits. Let’s not even get into how I’m hoping time will magically slow down the morning of the wedding to accommodate all of the required combinations. No, let’s not go there.
Instead, let’s focus on the type of portraits we’re aiming for. I was reminded of the delicate balance of a group photo by a recent blog post from Michael Norwood. He posted this photo:
then said:
“While working on an album from a wedding I shot last year, I came across one of my favorite wedding party shots of all time. I don’t try to do too much with wedding parties. I don’t have them in crazy poses, jumping over each other or posing like Charlie’s Angels. I’m not trying to make them look like models posed like they’re too cool for school. This is a wedding. They’re friends. I want them to look like they’re a bunch of friends having a great time on the best day of the bride and groom’s life.”
Couldn’t have said it better myself, Michael. However, wedding portraiture has been something of a passion of mine for quite some time — in fact, I even wrote a blog post about it while I was an intern at The Knot! (If you’re curious, you can read it here!)
In that post, I shared the photo below, which is an all-time favorite of mine. It must have been taken four years ago at this point, but I still love it. It’s classic and elegant while still being relaxed and real.
A few other examples I love, and a few tips on how you (we!) might achieve a similar look:
Use layers — some people forward, some back — instead of lining everyone up in a row. Interact with each other: in this photo, the Mom and bride are holding hands, and the woman on the left is touching the elbow of the girl in front of her.
Use props in a non-cheesy way. I’ve seen some amazing portraits incorporating props, but I think for us, the way to go is to utilize items that are already on the scene, such as a pair of rocking chairs or a porch stoop.
Often, the best portraits aren’t the ones where everyone’s saying “cheese!” …or, even, looking at the camera. Arrange your subjects loosely — so you can see everyone’s faces at the least — and then snap away while they interact with those around them. No, ridiculous forced laughter is not necessary, but it can help to loosen everyone up for later shots!
You can also do varying degrees of this type of portrait. The one below is even more casual because of the movement…
…while this one is more dramatic (mainly because of the positioning of the bride and groom) but still relaxed because of the loose, staggered grouping of the bridal party.
Finally, this one doesn’t fit with today’s theme, but I just had to include it. So lovely!
I love these. So clever + pretty… and inexpensive, too! Choose from pink, black, white, green, or blue. Find a set of four at CITE for $10.
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